Desire
Naked, the Emperor gazes up at the giraffe
wavering on crane-legs after
days in the dark, waiting.
The people, witness, have never seen
such a creature, they know
what is to come.
Five-score lions Commodus disemboweled
in one day, they starved
and fury in chains—the music
of their dying confused with the calliope crowd
gut sick and thrilled.
And, once, the son of Aurelius
ran laps around the arena, the fiddlehead
neck of the just-slaughtered
ostrich brandished
before the crowd, a child’s toy. But they haven’t
seen a giraffe before—somehow
kept alive ‘cross sea,
fed leaves and fruit, battered against the almost
ark’s ribs. And, soon,
the beautiful king will spear
the towering belly, organs
rushing to empty to the sand.
Or, maybe, he’ll begin by hacking
one long leg, the giraffe screaming, bucking
as it falls, his neck
making a slow, sick curve,
the braincase shattering
on the sand. Or maybe
a man in the crowd will decide
he’s seen enough
even before the killing has begun, and walk out
into the alleys of Rome
where someone scrubs the steps
of a house not her own. Commodus, of course,
tired of slaughtering
these innocents out of Africa
starved for his delight. Sometimes he had the city scoured
for men without feet—lepers,
a boy whose leg has been crushed
by a wagon, veterans’ of the Danube
campaigns—and like kindling
bound them to each other
so he could hack them apart with his father’s
sword. The soul is a vortex,
Aurelius wrote, and the entire body
prone to decay. All things of the body are as a river
and the things of
the soul as a dream.
What was it dad said, the king wonders,
scratching his balls, watching
the giraffe’s body waver
against the sky, about how we should welcome death,
about the end of desire
and its emptiness? (Of course,
I only told you that story so I could tell you this one—
“Desire” first appeared in AGNI 80 (2014).